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Madge Gill (1882-1961) is undoubtedly one of the world’s most highly regarded self-taught artists. Here you will discover a large selection of her artworks as well as an insight into the artist’s remarkable life and news of events and exhibitions.

As part of the engagement programme for Serge Attukwei Clottey’s commission Tribe and Tribulation, workshops were delivered at six primary schools in each city during Spring 2022. Around 600 children participated, using plastic rubbish and recyclable materials to create masks inspired by Clottey’s practice. On 26th May 2022, at the same time in both London and Accra, children took part in a procession to celebrate the project.

No.1104 Catching Colour by Rana Begum Courtesy Begum Studio and Kate MacGarry

Performance Dancers: Hannah Rudd & Jonathan Savage

Choreographer: Stina Quagebeur Clothing: ROKSANDA

Composer: Jeremy Birchall

Film Camera Operator & Editor: Chi Yu

Camera Assistant: Anne Mancosu

Sound Recorder: Daniel Passes

Commissioned by EcoWorld Ballymore Curated by The Line.

Produced with support from Arts Council England, this film is part of a series exploring creative careers connected to The Line with a focus on inspiring the next generation of artists, designers, performers and makers to pursue their talents.

Produced with support from Arts Council England, this film is part of a series exploring creative careers connected to The Line with a focus on inspiring the next generation of artists, designers, performers and makers to pursue their talents.

Ran as part of The Line’s ongoing initiative Visible / Invisible, our 2022 cohort of Youth Guides undertook a summer outside on the route to engage the public in conversation about works of art, providing information and sharing their ideas. Recruited through local schools and colleges, young people are offered pre-application training on CV and personal statement writing, followed by one-to-one feedback. Once selected, the group received paid training prior to starting work on The Line, which included sessions with artists Larry Achiampong and Gisela Torres as well as heritage tours on The House Mill and a session with Alice Proctor (The Exhibitionist).

We are delighted to share a specially produced film showcasing ‘Visible / Invisible’, a collaborative project bringing together The Line, the National Portrait Gallery and UAL London College of Fashion.

The programme explores themes of identity and representation in the digital and public realms and seeks to tackle the inequality of opportunity within the arts in East London for local young people. The programme has developed through school workshops – participatory image-making, critical thinking and experimentation – to inspire secondary school students to consider creative careers, as well as skills training and paid work through our Youth Guides programme to build young people’s skills and employability.

Tribe and Tribulation is a totemic sculpture by Ghanaian artist Serge Attukwei Clottey, which stands over five metres tall. The cubes are made of reclaimed wood, including painted timber from Ghanaian fishing boats, integrating Clottey’s interest in our relationship to the ocean, migration and the afterlife of objects. In this documentary, you can find out more about Serge’s research towards the piece through his residency at Royal Museums Greenwich.

The Living Line is a site-specific commission by East London-based illustrator Somang Lee. It visualises the plants, birds and insects that can be discovered along the route of The Line, encouraging people to explore the wealth of wildlife in Queen Elizabeth Olympic Park and along the waterways.

Aamad is a collaborative dance project initiated by The Line that brings together English National Ballet and Akademi; fusing art, Kathak, ballet and contemporary dance.

Produced with support from Arts Council England, this film is part of a series exploring creative careers connected to The Line with a focus on inspiring the next generation of artists, designers, performers and makers to pursue their talents.